Emilia
Gdak

Faculty of Conservation and Reastauration of Works of Art

full-cycle studies, 4th year

The mural by Rusz Gallery is one of 26 murals by various authors on the Art Wall in the Rose Garden at the Warsaw Rising Museum. As part of the laboratories, all murals from the Warsaw Rising Museum will be subjected to conservation and restoration

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Details of the project

Title of work
The mural by Rusz Gallery is one of 26 murals by various authors on the Art Wall in the Rose Garden at the Warsaw Rising Museum. As part of the laboratories, all murals from the Warsaw Rising Museum will be subjected to conservation and restoration
Studio
Interdepartmental Division “NOVUM” for Care and Conservation of Modern and Contemporary Art. Studio of Conservation and Restoration of Mural Painting
Head of the studio
mgr Anna Kowalik, Dr hab. Tytus Sawicki, prof. ASP; mgr Kinga Lubarska
Technique
Acrylic painting on plastered brick wall
Dimensions
125 x 300 cm x 26 murali
Description

The internship was organized as part of the international project CAPUS - Conservation of Art in Public Spaces, in which the Academy of Fine Arts in Warsaw is a leading partner. The project implemented as part of Erasmus+ Knowledge Alliances and financed by the European Union aims to establish rules for the protection of art in public space. Students: Emilia Gdak, Karolina Wicher, Natalia Łowczak, Bogna Skwara, Justyna Sasanka, Aleksandra Siebuła, Beata Lewicka, Fatih Dulger, Annabeth Bendix Nielsen

Visitation of St. Elizabeth, conservation and restoration, professional conservation documentation of the artefact

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Details of the project

Title of work
Visitation of St. Elizabeth, conservation and restoration, professional conservation documentation of the artefact
Studio
Studio of Conservation and Restoration of Panel Painting and Wooden Polychrome Sculpture
Head of the studio
Prof. dr hab. Krzysztof Chmielewski
Technique
tempera on wood
Dimensions
76 x 43.5 cm
Description
time of creation: 15th century, property of the Archdiocese Museum in Wrocław. The painting was originally part of the altar, later transferred from the board to plywood. So far, the following has been carried out: consolidation of the painting layers, partial cleaning of the painting surface from old varnish and dirt.
Monika
Dzik Jakub
Głuch